Last night Sharkboy, Mom and a couple of her friends were treated to A Chorus Line by my brother Michael, who I thank with all my cultured heart.
Mike had “arranged them”. So I had to get them from the press desk at the theatre, which resulted in this conversation with the two most bitterest press desk employees ever:
Me: “I’m here to pick up tickets”
PD1: “Name?”
Me: “They’re under Michael Healey.”
PD1: “You’re not Michael Healey!”
Me: “I’m his brothe–”
PD2: (finding the tickets during all this and thrusting them at me) “CONGRATULATIONS. NEXT!”
Me: “…And his mother is coming too, you really don’t want to cross her.”
Bitter cow. Not even giving me the satisfaction to gloat over my brother’s success.
Every ten minutes after the show, Mom would turn to me and ask who paid for the tickets.
“Mirvishes,” I would say, which wasn’t far from the truth.
At this point, I would like to state that since I got the last two days of theatre tickets for free, my brother and I are now even for all those times I had to get up at 2am to go get his asthma medicine in the 70s. I absolve you of this debt.
Prior to the show, Sharkboy and I split up to try to intercept Mom as she arrived at The Canon Theatre. Who makes two entrances to a popular theatre on two different city blocks? I am sure many of dates are destroyed because the simple statement “I’ll meet you there” turns connecting outside the theatre a mood killing process. Anyway, Sharkboy took the Victoria Street entrance in case her cabbie took her to the “box office” while I stayed on Yonge at the “Main entrance”.
I see my Mom and her friends after a while and we greet each other with hugs. As this is going on, none of us notice the huge black SUV pull up to the curb beside us. I tell Mom to go to her seats while I go collect Sharkboy from the other entrance and we’ll be together soon. I turn to head around the block.
Wham. My nose makes contact with a solid wall of suit covered beef.
I hit a body guard.
One of David Mirvishes‘ body guards.
“Excuse me!” we respond simultaneously, politely.
I’m spinning around to see David Mirvish again but they’re swept into the theatre. I wanted to thank him for the tickets and insist that he continue to commission work from my brother.
By the way, I loved A Chorus Line. It was schmaltzy, self centred, self deprecating, navel gazing musical theatre that had me humming it’s tunes even as I type this.