Category Archives: Art

Off The Wall

Art, Personal Bits 1 Reply

In the fall of 1994, my brother The Professor was moving back to England for good. I don’t recall why I wasn’t around when he dropped off boxes of things at my father’s house for storage, but I do know as soon as I could, I was in the basement rooting through them.

Know that since I came out of the womb, I’ve been obsessed with my brother’s stuff on an almost genetic level. I think it’s because I revered him like a god.

I remember he had a model of the shuttle from the movie 2001: A Space Odyssey that I would risk life and limb by entering into his room to play with. He had other models too, like a Saturn rocket that nearly stood as tall as me at the time. I was scared to touch it because I knew that there was an extremely fragile lunar lander on the inside and if he discovered that I had accidentally snapped off one of the aerials or radar dishes, I would be going down three flights of stairs wrapped in a sleeping bag.

I remember rummaging around in his stuff and finding a set of blue dishes (incomplete) dated from 1912. I snagged those. I also found a couple tea sets and various other fun dishes that followed me around during my 30s. He had (still has!) incredible tastes.

As I type this, I suddenly realize I have no clue how I came into possession of his swan painting. Did my other brother, The Writer, hand it over to me because he was moving and could no longer keep it for The Professor? Did I find the painting in the back of the Professor’s belongings in Dad’s basement?

Somehow, it came to me. And I loved it.

Flash forward to the almost now, 6 years ago. We’re in the midst of the Great Merge when I moved in with SharkBoy. It’s like Christmas for both of us as we gleefully find spots for all my stuff. Graciously SharkBoy allows all my robots to occupy the TV room. Something to this day I’m still grateful for. When it came to unpacking my paintings, I revealed the Swan Painting (by an artists whose name escapes me…Gould somebody or other… Dan…?).

With excitement, I say, “I love the colours of this one! Can we put it up in the bedroom?”

It’s then that I notice how far SharkBoy’s face has fallen. It’s like I’ve unwrapped a comic book fake dog poo and revered it as art.

We “argued” off and on about that painting for over 6 years. Until last week when The Professor came back onto possession of the painting, donating it to his best friends who actually know the artist. People who obviously deserve it more than us.

I will always remember it. But I will remember more how SharkBoy and I use to tease each other about it.

Don’t cry for us. When Dad left us, SharkBoy picked up a painting that Dad imported from Mexico that the family dubbed “Meaty Ass Boy”.

I’ll let him describe that one to you all.

Know that today we’re both writing about this painting. Why not go visit his blog to see what he says?

Gotta Guess Them All

Art, Celebs and Media

Deviant Art is a fun place. So much talent.

dusty abell takes pen to paper and brings us a massive banner of (okay… breathe…  I can barely contain myself) AWESOME 70s TV sci fi icons (Brits tube included!). Click the image to go there and see if you can guess them all!

Logan's Run?!? AWESOME!!

Courageously Gobsmacked

Art, Celebs and Media, Personal Bits

Okay any past comments I’ve ever made about Richard Ouzounian over at the Star are off the table. He’s given my brother’s play, Courageous, 3.5 stars out of 4.

You may recall I was privileged to be able to read a near-final draft of the play last month and I’ll be honest, after my first reading, I didn’t think it was going to be accessible to the general public (my brother nervously confessed he was worried about “this one not being any good” as we left a family dinner). However, I’m in agreement with Richard O when he says that Micheal’s writing “make(s) your head spin long after the curtain has fallen.” I’ve been thinking a lot of the nuances within the play, the writing, and I’m looking forward to seeing it.

If I can get some free tickets.

Finally Famous

Art, Celebs and Media, Personal Bits

You all may know my brother writes plays for a living.

Stop laughing. Obviously he’s doing well… he owns, not rents.

He’s prepped to release his next play called Courageous and before he started his press scrum, he emailed a copy to myself and my other gay, legally married brother with this question:

I’m about to open an new play here and will be doing inevitable interviews about it. It’s about the charter of rights and freedoms, and in the course of it, there’s a gay couple who are denied the opportunity to get married at city hall. Are you guys okay if I mention that both my gay sibs got married here in Toronto, one at city hall?

Bless his heart. I stealthily read the play at work and I’m suitably impressed (I’m sure I missed a few symbolic nuances by Alt-Tabbing between my screens when my boss walked by). I’m not going to go all Richard Ouzounian about the play (it is good, he’ll hate it) but I do have to mention one particular exchange between Todd who is confronting George, a refugee to Canada, and Lisa, his wife’s best friend, about their dinner choices:

TODD

I know, right?

LISA

Good one. You all set?

GEORGE

Yes.

TODD

What’s …?

LISA

George and I are going out for dinner.

TODD

Really?

(To George)

Really?

GEORGE

Really. We are going for pan…

LISA

Panzarotti.

GEORGE

Panzarotti. Baked or fried.

LISA

How do you like that, asslick?

A beat, Todd is thrown

Let me explain why this is significant.

Over my brother’s career I have made great efforts to see myself in any shard, sliver or crumb of his writing. When he started to publish work, I would tear through his pages looking for some reference of me: some slight nod to my existence so that would I live on in his work. I’d analyze and and all comments made by his characters and lay them across my life, my experiences with my brother, to see if they fit, like some scientist sequencing DNA from a horse and jamming it into a monkey.  With similar results:

Me: So when the Secretary in Plan B enters, crosses and places that file on the desk and blows everyone away with this beau geste, that was like… me… back when I was 15 and you borrowed Mom’s car without her knowing and I said I was responsible for the missing map in the glove compartment, right?

Michael: Uh. No.

And so it goes.

Back to Courageous. The above exchange filled me with such pride and glee when I read it because SharkBoy and I constantly order baked panzarotti when we dine at Olympic Pizza 76 (Yonge and College, possibly the most reliable restaurant in Toronto, but that’s another post). We’ve been going there for years and like Chip and Dale come to life, we always ask each other if we will be getting baked or fried panzarotti (SharkBoy: fried, me: baked)! Michael obviously picked up on our display of food fussing and placed it lovingly, like a baby Jesus wrapped in swaddling words*, in his current play.

Finally! I’m there. I’ve arrived! You may touch my sleeve.

*Xmas reference! Happy holidays!

The CNE

Art, Distractions, Toronto

4 years between each CNE visit is about enough. Wandering through the “bargain” sellers made me realize that as a whole, mankind produces a lot of unnecessary crap. But I do love the incredibly glizty, odd, copyright-stolen art the midway has to offer:

Cute? Or wrong?

Cute? Or wrong?

Booby-gras!

Booby-gras!

Barbarella-psycedella!

Barbarella-psycedella!

How many copyright infringements do you see, kids!?

How many copyright infringements do you see, kids!?

Full Photo set here

All in (expensive) fun, right?

But this year SharkBoy and I had a great time watching traditional song and dance from the Maori troupe “Te Ngai Tuahuriri”.  It’s the best thing I’ve seen at the CNE in my entire lifetime of visits.

I’ve made a little video of our day. Enjoy!

The Nuttalls – Blyth Festival

Art, Celebs and Media, Distractions, Personal Bits

chickenMy brother opens a new play up at the Blyth Festival tomorrow entitled The Nuttals. I wish his legs would break! From TheRecord.com:

The play guaranteed to stir the pot this season is award-winning Canadian playwright Michael Healey’s The Nuttalls.

It’s a coup for Blyth to commission one of the country’s most celebrated playwrights who gave Canadian theatre The Drawer Boy.

“Michael has such an extraordinary brain,” Coates observes. “No two of his plays are alike.

“I was after him for several years to do something for us and he came across with an unexpected, knockout, drag-out comedy.”

Directed by Kate Lynch, the comedy focuses on a mother and her grown son who swim in a deep pool of domestic discord.

Coates expects some degree of pushback from the community because the comedy satirizes the war in Afghanistan.

“I don’t know if everyone is ready to go where Michael takes us.”

PS: I love how the Blyth website is covered in Chickens.